![]() They are designed to interlock at the tip of the. Loewenkind rings can be worn solo or together. My intent is that these pieces help those who wear them locate and channel their strength and capabilities to the world’s ultimate benefit.” Owing to their unisex silhouettes and talismanic appeal, Loewenkind rings and cufflinks are as popular with men as they are with women. ![]() I work very closely with a sculptor for my lions,” she wrote. I love customizing my pieces as it makes the jewel so much more meaningful and emotionally valuable to the client. “Many clients request specific gemstones to be set into these designs. “All of these pieces come in silver, gold and platinum,” Fink explained. The Loewenkind collection comprises rings, bangles, bracelets, pendants, earrings, cufflinks and necklaces. “Lions symbolize strength, elegance and passion, yet at the same time, they stand for protection and sensitivity.”Lions also stand for her brand, for the Nana Fink logo features a wild-maned dignified double-headed lion. “When I was a teenager, I drew an image of myself metamorphosing into a lion child,” she reminisced. “Loewenkind” translates to ‘lion child,’” Fink explained. Take for example her Loewenkind collection, which she unleashed in 2011 for her brand debut. Like all great transhistorical jewelry designs, Fink’s jewels are eternally alive with amuletic and talismanic forms and emotionally resonant imagery. enables the jewel to also be worn as a pendant. The swivel design of this 18-karat rose gold, hand-carved white coral and opal ring by Nana Fink. (Like those of Toussaint’s, Belperron’s creations populate permanent collections of the Louvre’s Musée des Arts Décoratifs in Paris and London’s Victoria and Albert museum.) Like Belperron and her master stonecutter Adrien Louart (1890–1989), however, Fink has a penchant for carved gemstone jewels. While Fink added that in her estimation, Suzanne Belperron (1900 – 1983), is another one of jewelry history’s exemplary designers, Fink works in 18-karat gold while Belperron preferred 22-karat gold, mainly for its color. ![]() Courtesy Nana FinkĪccording to Fink, “I create jewels for today’s women and men that pay tribute to wonderful moments in jewelry history.” “The romantic aura of vintage and antique jewelry, plus the visual charisma of fine art created in the decades before World War II, all of these are touchstones that continually inspire my collections.” Other historical elements that catalyze Fink’s conceptions include the stylistic innovations, material substance and artisanship of 20 th century female luxury jewelry designers generated by Cartier’s Jeanne Toussaint (1887 - 1976). in this ring-cum-pendant designed by Nana Fink of Basel, Switzerland. Fink’s unrivalled color sense also makes her brand appeal across cultures.ġ8-karat rose gold sets the stage for five kinetic, psychedelically bright azurite malachite hearts. While some of her colorful 18-karat gold jewelry collections are inspired by sensuously sculpted Art Deco and pre-World War II 1940s jewels of Cartier, Boivin and Belperron, others update classically appealing motifs and styles (star-emblazoned hearts, noble-looking lions and carved gemstones in the traditional Indian style) with a 21 st century silhouette that looks elegant and contemporary, rather than sentimental or nostalgic. ![]() ![]() Courtesy Nana Finkįounded in 2011 and handmade in Switzerland with unparalleled production values, Fink’s brand embodies traditional labor-intensive techniques and repurposed vintage gemstones that insure distinctive and highly exclusive designs. Based in Basel, Switzerland, Fink's respect for the traditional Indian hand-carved gemstone adornments that inspired Art Deco jewelers is a guiding principle of her Sophistiquée collection. Hand-carved malachite in a pumpkin-like shape is dotted with a central diamond and set in 18-karat. (I define transhistorical jewelry as that which embodies stylistic tendencies, material properties, artisanal techniques and philosophies reminiscent of past eras in jewelry history.) To my eyes, this constellation of compelling factors propels Nana Fink ’s jewels into the realm of transhistorical luxury jewelry. Fink’s appreciation of the superb design, materiality and craftsmanship embodied in vintage and antique jewelry, coupled with her desire to keep Old World jewelry artisanship alive and evolving, guides her and the master jewelers who execute her vision. Courtesy Nana FinkĬenturies of jewelry design sparkle with adornments which reinterpret the style, sensuality and grandeur of jewels from bygone eras in new silhouettes made by master artisans using labor-intensive techniques. Based in Basel, Switzerland, Nana Fink is a designer whose oeuvre encompasses all of the above, and more. artisanal techniques of past eras in jewelry history. Nana Fink’s transhistorical jewels embody the stylistic tendencies, material properties and. ![]()
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